Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
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[Christian Science Monitor] Joshua Mitnick - The stage was dominated by a Star of David, an olive tree, and musicians who mix blues licks, reggae rhythms, and messianic refrains from Jewish liturgy. The annual "End of Days" festival has become something of a mini-Woodstock in the settlements, with meditation groups, religious study sessions, and a crowd dressed in colorful flowing clothes. Staged on a wooded slope amid the ruins of Mesuot Yitzhak, a Jewish settlement captured by Jordan in the 1948 Arab-Israeli war, the festival is evidence of how the young hilltop generation has embraced many of the counterculture symbols of 1960s America. "When the whole world turns on the television, what do they see? Fighting and politics," says Yehuda Leuchter, the festival founder. "We're trying to bring rock 'n' roll and good vibes for the Land of Israel and for the whole world." 2009-08-14 06:00:00Full Article
Young Israeli Settlers Embrace Counterculture Symbols of '60s
[Christian Science Monitor] Joshua Mitnick - The stage was dominated by a Star of David, an olive tree, and musicians who mix blues licks, reggae rhythms, and messianic refrains from Jewish liturgy. The annual "End of Days" festival has become something of a mini-Woodstock in the settlements, with meditation groups, religious study sessions, and a crowd dressed in colorful flowing clothes. Staged on a wooded slope amid the ruins of Mesuot Yitzhak, a Jewish settlement captured by Jordan in the 1948 Arab-Israeli war, the festival is evidence of how the young hilltop generation has embraced many of the counterculture symbols of 1960s America. "When the whole world turns on the television, what do they see? Fighting and politics," says Yehuda Leuchter, the festival founder. "We're trying to bring rock 'n' roll and good vibes for the Land of Israel and for the whole world." 2009-08-14 06:00:00Full Article
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