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Top Commentators:
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- Benny Avni
- Alan Dershowitz
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- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
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- Efraim Karsh
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- Charles Krauthammer
- Emily Landau
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- Benny Morris
- Jacques Neriah
- Marty Peretz
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- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
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Think Tanks:
- American Enterprise Institute
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- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
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- Institute for Counter-Terrorism
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- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
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- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
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Government:
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[Wall Street Journal] Terry Teachout - Politics makes artists stupid. Take "My Name Is Rachel Corrie," the one-woman play cobbled together from the scribblings of the 23-year-old left-wing activist who was run over by an Israeli Army bulldozer in 2003 while protesting the demolition of a Palestinian house in the Gaza Strip. It's an ill-crafted piece of goopy give-peace-a-chance agitprop - yet it's being performed to cheers and tears before admiring crowds of theater-savvy New Yorkers who ought to know better. So why don't they? Because Palestine is the new Cuba, a political cause whose invocation has the effect of instantaneously anesthetizing the upper brain functions of those who believe in it. 2006-10-27 01:00:00Full Article
Theater Review: Bulldozed by Naivete
[Wall Street Journal] Terry Teachout - Politics makes artists stupid. Take "My Name Is Rachel Corrie," the one-woman play cobbled together from the scribblings of the 23-year-old left-wing activist who was run over by an Israeli Army bulldozer in 2003 while protesting the demolition of a Palestinian house in the Gaza Strip. It's an ill-crafted piece of goopy give-peace-a-chance agitprop - yet it's being performed to cheers and tears before admiring crowds of theater-savvy New Yorkers who ought to know better. So why don't they? Because Palestine is the new Cuba, a political cause whose invocation has the effect of instantaneously anesthetizing the upper brain functions of those who believe in it. 2006-10-27 01:00:00Full Article
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