Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
Back
(Wall Street Journal) Terry Teachout - Adolf Busch, the greatest German violinist of the 20th century, is at the very top of the short list of German musicians who refused to kowtow to Adolf Hitler. This aspect of his life is described in detail in Tully Potter's Adolf Busch: The Life of a Honest Musician. When the Nazis came to power in 1933, Hitler and his henchmen started putting into place a policy of systematic persecution of German Jews. Numerous well-known Jewish musicians, including Bruno Walter, Otto Klemperer and Emanuel Feuermann, either were forced out of their posts or quit in protest. In April, mere weeks after Hitler seized the levers of power, the Busch Quartet decided to stop playing in Germany. Busch was the only well-known non-Jewish German classical musician to emigrate from Germany solely as a matter of principle - and one of a bare handful of non-Jewish European musicians, including Arturo Toscanini and Pablo Casals, who resolved to stop performing there for the same reason. Virtually all of the other big names in Austro-German music stayed behind. Busch knew better. In a prophetic letter, he wrote, "Some of them believe that if they only 'play along,' the atrocities and injustice that are part and parcel of the movement will be tempered, can be turned around...they do not notice that they can only have a retarding effect, that the atrocities will still take place, only perhaps a bit later." 2010-12-10 08:24:04Full Article
The Man Who Said No to Hitler
(Wall Street Journal) Terry Teachout - Adolf Busch, the greatest German violinist of the 20th century, is at the very top of the short list of German musicians who refused to kowtow to Adolf Hitler. This aspect of his life is described in detail in Tully Potter's Adolf Busch: The Life of a Honest Musician. When the Nazis came to power in 1933, Hitler and his henchmen started putting into place a policy of systematic persecution of German Jews. Numerous well-known Jewish musicians, including Bruno Walter, Otto Klemperer and Emanuel Feuermann, either were forced out of their posts or quit in protest. In April, mere weeks after Hitler seized the levers of power, the Busch Quartet decided to stop playing in Germany. Busch was the only well-known non-Jewish German classical musician to emigrate from Germany solely as a matter of principle - and one of a bare handful of non-Jewish European musicians, including Arturo Toscanini and Pablo Casals, who resolved to stop performing there for the same reason. Virtually all of the other big names in Austro-German music stayed behind. Busch knew better. In a prophetic letter, he wrote, "Some of them believe that if they only 'play along,' the atrocities and injustice that are part and parcel of the movement will be tempered, can be turned around...they do not notice that they can only have a retarding effect, that the atrocities will still take place, only perhaps a bit later." 2010-12-10 08:24:04Full Article
Search Daily Alert
Search:
|