Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
Back
[Telegraph-UK] David Lasserson - An exhibition of ideological video games from Arab countries at the Israeli Center for Digital Art outside Tel Aviv demonstrates the chilling potential of games as a propaganda tool. Special Force offers players a choice of missions in southern Lebanon against "the Zionist enemy." The game opens with a training center in which the shooting targets are portraits of Israeli leaders. A Syrian game called The Stone Throwers offers a sort of digital martyrdom, as the player takes the role of a lone Palestinian resistance fighter armed only with rocks against waves of Israeli soldiers. In the Israeli game Intifada, the player becomes a single IDF soldier facing stone-throwing demonstrators. In dealing with the demonstration, players must bear in mind the army's public opinion rating, and refrain from using live ammunition. If they cause casualties, the government is voted out of office, and available weaponry is reduced for the next game. An al-Qaeda game called The Night of Bush Capturing is sophisticated, set in a U.S. military camp where players must gather weapons and shoot down approaching soldiers. It turns out to be a direct adaptation of an earlier American game, Quest for Saddam. 2007-02-16 01:00:00Full Article
Video Games: The Latest Weapon in the Middle East
[Telegraph-UK] David Lasserson - An exhibition of ideological video games from Arab countries at the Israeli Center for Digital Art outside Tel Aviv demonstrates the chilling potential of games as a propaganda tool. Special Force offers players a choice of missions in southern Lebanon against "the Zionist enemy." The game opens with a training center in which the shooting targets are portraits of Israeli leaders. A Syrian game called The Stone Throwers offers a sort of digital martyrdom, as the player takes the role of a lone Palestinian resistance fighter armed only with rocks against waves of Israeli soldiers. In the Israeli game Intifada, the player becomes a single IDF soldier facing stone-throwing demonstrators. In dealing with the demonstration, players must bear in mind the army's public opinion rating, and refrain from using live ammunition. If they cause casualties, the government is voted out of office, and available weaponry is reduced for the next game. An al-Qaeda game called The Night of Bush Capturing is sophisticated, set in a U.S. military camp where players must gather weapons and shoot down approaching soldiers. It turns out to be a direct adaptation of an earlier American game, Quest for Saddam. 2007-02-16 01:00:00Full Article
Search Daily Alert
Search:
|