Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
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(Independent-Ireland) Nicky Larkin - I used to hate Israel. Not any more. Now I loathe Palestinian terrorists. After Israel's incursion into Gaza in December 2008 I applied for funding from the Irish Arts Council to make a film in Israel and Palestine and spent seven weeks in the area. Posters of martyrs followed us throughout the West Bank. They watched from lamp-posts and walls wherever we went. But the more I felt the martyrs watching me, the more confused I became. After all, the Palestinian mantra was one of "non-violent resistance." Yet when I interviewed Hind Khoury, a former Palestinian government member, she refused to condemn the actions of the suicide bombers. She was all aggression. Back in Tel Aviv in the summer of 2011, I began to listen more closely to the Israeli side. I remember one conversation in Shenkin Street - Tel Aviv's most fashionable quarter, where everybody looks as if they went to art college. I was outside a cafe interviewing a former soldier. He talked slowly about his time in Gaza. He spoke about Arab teenagers sent running towards the base he'd patrolled. Each strapped with a bomb and carrying a hand-held detonator. Conversations like this are normal in Tel Aviv. I began to experience the sense of isolation Israelis feel. An isolation that began in the ghettos of Europe and ended in Auschwitz. Israel is a refuge - but a refuge under siege, a refuge where rockets rain death from the skies. My film is called "Forty Shades of Grey." But only one side was wanted back in Dublin. My peers expected me to come back with an attack on Israel. No grey areas were acceptable. Why have Irish artists surrendered to group-think on Israel? I would urge every one of those 216 Irish artists who pledged to boycott the Israeli state to spend some time in Israel and Palestine. Maybe when you come home you will bin your PLO scarf. I did. 2012-03-16 00:00:00Full Article
Israel Is a Refuge under Siege
(Independent-Ireland) Nicky Larkin - I used to hate Israel. Not any more. Now I loathe Palestinian terrorists. After Israel's incursion into Gaza in December 2008 I applied for funding from the Irish Arts Council to make a film in Israel and Palestine and spent seven weeks in the area. Posters of martyrs followed us throughout the West Bank. They watched from lamp-posts and walls wherever we went. But the more I felt the martyrs watching me, the more confused I became. After all, the Palestinian mantra was one of "non-violent resistance." Yet when I interviewed Hind Khoury, a former Palestinian government member, she refused to condemn the actions of the suicide bombers. She was all aggression. Back in Tel Aviv in the summer of 2011, I began to listen more closely to the Israeli side. I remember one conversation in Shenkin Street - Tel Aviv's most fashionable quarter, where everybody looks as if they went to art college. I was outside a cafe interviewing a former soldier. He talked slowly about his time in Gaza. He spoke about Arab teenagers sent running towards the base he'd patrolled. Each strapped with a bomb and carrying a hand-held detonator. Conversations like this are normal in Tel Aviv. I began to experience the sense of isolation Israelis feel. An isolation that began in the ghettos of Europe and ended in Auschwitz. Israel is a refuge - but a refuge under siege, a refuge where rockets rain death from the skies. My film is called "Forty Shades of Grey." But only one side was wanted back in Dublin. My peers expected me to come back with an attack on Israel. No grey areas were acceptable. Why have Irish artists surrendered to group-think on Israel? I would urge every one of those 216 Irish artists who pledged to boycott the Israeli state to spend some time in Israel and Palestine. Maybe when you come home you will bin your PLO scarf. I did. 2012-03-16 00:00:00Full Article
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