Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
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[Azure-Shalem Center] Noah Pollak - Israel has an image problem. Beginning with the 1982 Lebanon War, and accelerating rapidly after the start of the second Intifada in 2000, the Jewish state has come to be viewed in many quarters of enlightened opinion as a sinister presence on the world stage. Whether the crisis was al-Dura, Jenin, Lebanon, or the Gaza beach explosion, the Israeli response distinguished itself by the same blunders: A reflexive assumption of guilt; pre-emptive apologies, unnecessary self-criticism, and suspension of military action; the assertion of innocence only after the media storm had passed; and a refusal to push back rhetorically against individuals and organizations who have turned slandering Israel into such a disgracefully undemanding sport. On the conceptual level, Israeli strategists and spokespeople must come to understand the immense influence of symbolism, theater, and the repetition of defining anecdotes in modern warfare. In our age of global communication and the disproportionate influence of easily manipulable photographs and video, a new theater of war has been created. The battle is over images, narratives, and beliefs. What hangs in the balance is Israel's strategic position among democratic nations; its ability to sustain its own sense of moral clarity and national confidence against its enemies; the perseverance of Zionism as the animating ethos of the Jewish state; and the fulfillment of the central aspiration of creating a country in which Jews no longer feel intimidated by their assailants. Israel cannot change its enemies, but it must change how it fights them. 2007-10-26 01:00:00Full Article
Show of Force
[Azure-Shalem Center] Noah Pollak - Israel has an image problem. Beginning with the 1982 Lebanon War, and accelerating rapidly after the start of the second Intifada in 2000, the Jewish state has come to be viewed in many quarters of enlightened opinion as a sinister presence on the world stage. Whether the crisis was al-Dura, Jenin, Lebanon, or the Gaza beach explosion, the Israeli response distinguished itself by the same blunders: A reflexive assumption of guilt; pre-emptive apologies, unnecessary self-criticism, and suspension of military action; the assertion of innocence only after the media storm had passed; and a refusal to push back rhetorically against individuals and organizations who have turned slandering Israel into such a disgracefully undemanding sport. On the conceptual level, Israeli strategists and spokespeople must come to understand the immense influence of symbolism, theater, and the repetition of defining anecdotes in modern warfare. In our age of global communication and the disproportionate influence of easily manipulable photographs and video, a new theater of war has been created. The battle is over images, narratives, and beliefs. What hangs in the balance is Israel's strategic position among democratic nations; its ability to sustain its own sense of moral clarity and national confidence against its enemies; the perseverance of Zionism as the animating ethos of the Jewish state; and the fulfillment of the central aspiration of creating a country in which Jews no longer feel intimidated by their assailants. Israel cannot change its enemies, but it must change how it fights them. 2007-10-26 01:00:00Full Article
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