Additional Resources
Top Commentators:
- Elliott Abrams
- Fouad Ajami
- Shlomo Avineri
- Benny Avni
- Alan Dershowitz
- Jackson Diehl
- Dore Gold
- Daniel Gordis
- Tom Gross
- Jonathan Halevy
- David Ignatius
- Pinchas Inbari
- Jeff Jacoby
- Efraim Karsh
- Mordechai Kedar
- Charles Krauthammer
- Emily Landau
- David Makovsky
- Aaron David Miller
- Benny Morris
- Jacques Neriah
- Marty Peretz
- Melanie Phillips
- Daniel Pipes
- Harold Rhode
- Gary Rosenblatt
- Jennifer Rubin
- David Schenkar
- Shimon Shapira
- Jonathan Spyer
- Gerald Steinberg
- Bret Stephens
- Amir Taheri
- Josh Teitelbaum
- Khaled Abu Toameh
- Jonathan Tobin
- Michael Totten
- Michael Young
- Mort Zuckerman
Think Tanks:
- American Enterprise Institute
- Brookings Institution
- Center for Security Policy
- Council on Foreign Relations
- Heritage Foundation
- Hudson Institute
- Institute for Contemporary Affairs
- Institute for Counter-Terrorism
- Institute for Global Jewish Affairs
- Institute for National Security Studies
- Institute for Science and Intl. Security
- Intelligence and Terrorism Information Center
- Investigative Project
- Jerusalem Center for Public Affairs
- RAND Corporation
- Saban Center for Middle East Policy
- Shalem Center
- Washington Institute for Near East Policy
Media:
- CAMERA
- Daily Alert
- Jewish Political Studies Review
- MEMRI
- NGO Monitor
- Palestinian Media Watch
- The Israel Project
- YouTube
Government:
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(Standpoint-UK) Robert Low - In her lively and readable biography, Ben Hecht: Fighting Words, Moving Pictures, the latest in Yale's excellent Jewish Lives series, Adina Hoffman charts Hecht's progress from America's most successful screenwriter to Jewish activist. Beginning in Chicago, he wrote a daily newspaper column, short stories, novels, plays, and launched his own magazine. Ending up in Hollywood, his first screenplay, "Underworld," won Hecht his first Academy Award for original story in 1929. After that, he never stopped churning out screenplays. Hoffman writes that in his World War II work on behalf of the doomed Jews of Europe, "Ben Hecht had at last found a cause worthy of his formidable fury." He was one of the first public figures to grasp the full horror of the Holocaust, thereafter campaigning tirelessly for the U.S. to intervene. He lobbied, raised money, wrote speeches and scripts, and organized a celebrity-packed "mass memorial" show called "We Will Never Die," which opened to a packed Madison Square Garden and then toured the country. After the war he campaigned just as vigorously for a Jewish state in Palestine, raising hundreds of thousands of dollars for the cause.2019-03-08 00:00:00Full Article
Book Review - Ben Hecht: From Successful Screenwriter to Jewish Activist
(Standpoint-UK) Robert Low - In her lively and readable biography, Ben Hecht: Fighting Words, Moving Pictures, the latest in Yale's excellent Jewish Lives series, Adina Hoffman charts Hecht's progress from America's most successful screenwriter to Jewish activist. Beginning in Chicago, he wrote a daily newspaper column, short stories, novels, plays, and launched his own magazine. Ending up in Hollywood, his first screenplay, "Underworld," won Hecht his first Academy Award for original story in 1929. After that, he never stopped churning out screenplays. Hoffman writes that in his World War II work on behalf of the doomed Jews of Europe, "Ben Hecht had at last found a cause worthy of his formidable fury." He was one of the first public figures to grasp the full horror of the Holocaust, thereafter campaigning tirelessly for the U.S. to intervene. He lobbied, raised money, wrote speeches and scripts, and organized a celebrity-packed "mass memorial" show called "We Will Never Die," which opened to a packed Madison Square Garden and then toured the country. After the war he campaigned just as vigorously for a Jewish state in Palestine, raising hundreds of thousands of dollars for the cause.2019-03-08 00:00:00Full Article
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